2. Frantically check the three red lipsticks that you always carry but rarely get a chance to wear
3. Use for colour blocking, like so:
(Lie flat and don’t bother brushing away the dust. This is important.)
4. Lock out furry helpers
5. Paint pastel (or probably charcoal too) into art surface carefully using methylated spirits and cheap foam brush (lessens brushstrokes, unless that’s your thing). Don’t bother rinsing brush, just re-dip in metho to moisten.
7. Smoosh all the tiny crumbs with fingertip while surface is still wet, otherwise they will still be there when dry and you’ll either have to pick them off (which may stuff up uniformity of colour) or leave them on and deal with the textured surface
8. Vow for the sake of your future children that their father will have a bit more melanin than you
9. Brush carefully over surface that you’ve just smooshed the crumbs into to remove finger prints and maintain uniformity
10. Realise that you’ll probably have to do this again to lower half of drawing once detail has been added, as soft pastel on easels leave a track of dust underneath where you’ve drawn (therefore, if using soft or hard pastel, start at the top and work down. Always. Even if the fun bit isn’t for ages). Feel like a dill.
11. Paint the furniture
12. Allow to dry (won’t take long – metho, huzzah!)
13. Weep softly at the state of your basin
14. This technique might also be a good idea if there is very dark colour blocking higher in the drawing than lighter, more delicate work. You may find gravity catches up with your older work, like this: